Featured class: #Black Lines Matter for ages 15-17 with Keno Evol starts April 15.

Reading Like a Writer: Background Characters and Jazz

Posted on Wed, Feb 22 2017 9:00 am by Allison Wyss

Toni Morrison's Jazz is about Harlem in the 1920s. There's a central incident involving love, betrayal, and violence. Joe Trace has an affair and murders his lover, Dorcas. Violet, his wife, shows up at Dorcas's funeral to cut her face. But the story spins outward from the central events and characters, encompassing the neighborhood and making secondary characters as real as primary ones. Even tertiary characters, background characters—those who often just take up space in a narrative—become real people.

So how does Morrison make the minor characters real? I'd like to look at Sweetness, a character as tertiary as they come, for some good techniques to do this.

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Young Writers’ Program 2017

Posted on Mon, Feb 20 2017 9:00 am by Sara Krassin

'Tis the season to sign up for summer youth camps! If you have a child or young adult who has a love of writing and reading, the Loft is the place for them this summer.

Due to popular demand, we've moved to a new format for our summer youth offerings. With the exception of a few single Saturday offerings and an all-day, week-long camp, all summer youth offerings will be week-long, half-day offerings, with either a 9 a.m. or 1 p.m. start time. (This allows for back-to-back classes for those needing all-day options for their kids.)

Check out a sampling of classes below. There's something for every young writer!

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Imagination as Citizenship

Posted on Fri, Feb 17 2017 9:00 am by Amanda Fredrickson

I’ve always had a slight fascination with this intrepid Irishman who used his poetry and playwriting as a voice of dissent during Ireland’s tumultuous break from Great Britain in the early 1900s. Yeats’ poem, “Easter 1916” describes the change he sees in the Irish men and women no longer silenced as a terrible, fierce beauty during the Easter Uprising.

His relentless pursuit of painting the imagination of the not-yet-independent Ireland might be relevant for our artists in this political moment. In his critical essay “What is ‘Popular Poetry’?” Yeats writes, “...‘the imagination is the man himself,’ and that the world as imagination sees it is the durable world…”

Imagination as citizenship is how I’ve begun to think of this. Artists throughout history have been defining and redefining their roles as citizens, so I hand us over to their wisdom in exploring this idea.

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It's Lit: Bridges

Posted on Wed, Feb 15 2017 9:00 am by Sara Krassin

“I’m the baby right now as far as reading series,” Kusunoki quickly admitted when we sat down to talk about his new reading series, Bridges. Kusunoki had hosted a National Poetry Month reading at the HarMar Mall Barnes & Noble last April, the success of which prompted the store to ask him to host a more regular reading series. Bridges officially began in September 2016, and now takes places on the third Thursday of each month at 7 p.m.

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Spring Classes at the Loft

Posted on Fri, Feb 10 2017 9:00 am by Sara Krassin

Block out some time and circle your calendars, spring classes are here! At the Loft, we believe stories and poems are now more important than ever, and with these classes we aim to connect readers and writers to conversations, ideas, networks, and methods that can make a difference.

Whether this is your first class at the Loft, or you're a regular returning for more, it can be hard to choose from the 100+ options available each season. Don’t worry: I’ve culled the depths of our catalog to create this condensed list of offerings. There really is something for everyone!

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It’s Lit: First Mondays @ Troubadour

Posted on Wed, Feb 8 2017 9:00 am by Sara Krassin

You would be hard pressed in this literary community to find someone who wasn’t involved in several different projects, and David Bayliss is no exception. After successfully launching and managing the monthly reading series Poets & Pints, Bayliss was approached by his friends at Troubadour Wine Bar - owner Phineas Fittipaldi and former bartender Adrian Lopez-Balbontin - to start a reading series at their venue. Bayliss was interested, but he knew that he wanted to do something a little different, “I didn’t just want to repeat exactly what we had [at Poets & Pints].”

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AWP Survival Round-Up

Posted on Mon, Feb 6 2017 9:00 am by Melissa Wray

It's a busy week for many writers in our nation: the AWP (Association of Writers and Writing Programs) Conference & Book Fair is this week in Washington, D.C. Writers, readers, editors, agents, book artists, and literary arts administrators all gather for three days of panel discussions, readings, and book fair browsing. I remember my first time going to AWP, when I was the editor of my college's undergraduate literary magazine. The weekend could be summed up in three words: inspiring, thought-provoking, and OVERWHELMING. Whether it's your first time going, or you're an old pro, it can be hard to navigate the multitude of options happening simultaneously. Fret not: we've got your back. Here's a round-up of articles about AWP to help you navigate the amazing, exhausting world of AWP.

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Lit Chat: Meet Dameun Strange

Posted on Thu, Feb 2 2017 9:00 am by Sun Yung Shin

Dameun Strange is a musician, composer, songwriter, non-profit leader, dapper man, and all-around cool person well known to many of us in the Twin Cities community, and I was happy he was willing to spend some of his time with me talking about the cosmos, his youth in Washington, D.C., songwriting, and other starry conversational offshoots. He fit in our chat between an already long, full day of work as the executive director of NEMAA (Northeast Minneapolis Arts Association) and an evening board meeting.

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It's Lit: Poets & Pints

Posted on Wed, Feb 1 2017 9:00 am by Sara Krassin

I began frequenting Poets & Pints, a local reading series hosted by David Bayliss at Sisyphus Brewing, not long after I moved to Minneapolis about a year ago. I had moved here in search of a more expansive and enriching  literary community than my rural hometown could offer, and that’s exactly what I found. Now an intern with The Loft Literary Center, I thought I’d take this opportunity to share some of my favorite Twin Cities literary whos, whats, wheres, and whens. Over the next couple of months, I’ll be profiling local reading series, journals, and other literary resources and opportunities. Hopefully you, and I, will discover something new.

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Reading Like a Writer: Mr. Fox and Several Things About a Sentence

Posted on Thu, Jan 26 2017 9:00 am by Allison Wyss

Every time I pick up Helen Oyeyemi's Mr. Fox, it becomes something different. (Next read, I'll put it down at other moments to see what else is there.) It's known as a retelling of Bluebeard, which is one thing it becomes. It's about domestic violence—that's another. It also becomes an entanglement of the body and the imaginary, an exploration of the ways the two can trade places and enable violence and of how an "imaginary" woman fights back. It's beautiful and complex and engages with ideas that are big and profound.

Despite all that, I'm going to look at one very simple sentence from the middle of the book: "Fear pressed her tongue against her gums."

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